• IMAGINING OBAFEMI’S RUNNING DREAMS AS WORLD LITERATURE 

  ALIYU, FOLUKE R. (NATIONAL THEATRE AND DEPARTMENT OF ENGLISH, UNIVERSITY OF ILORIN, 2021)

• IMAGINING OBAFEMI’S RUNNING DREAMS AS WORLD LITERATURE 

  ALIYU, FOLUKE R. (NATIONAL THEATRE AND DEPARTMENT OF ENGLISH, UNIVERSITY OF ILORIN, 2021)

• VOCALITY, VOICELESSNESS AND THE WOMAN’S IDENTITY IN KANCHANA UGBABE’S SOULMATES 

  ALIYU, FOLUKE R. (KWARA STATE UNIVERSITY AND BAYERO UNIVERSITY, KANO, 2016)

• VIOLENCE AGAINST WOMEN IN CHIMAMANDA NGOZI ADICHIE’S PURPLE HIBISCUS AND AKACHI ADIMORA-EZIEGBO’S TRAFFICKED 

  BODUNDE, CHARLES; ALIYU, FOLUKE R. (ROUTLEDGE PUBLISHERS, 2018)

• SEEKING CLASSICAL PARALLELS IN ABDULRASHEED ADEOYE’S COLLECTIVE CHARACTERISATION: AN EXAMINATION OF NEO-ALIENATION’S ECLECTICISM 

  ALIYU, FOLUKE R. (DEPARTMENT OF THEATRE AND FILM STUDIES, UNIVERSITY OF CAPE COAST, GHANA AND DEPARTMENT OF THE PERFORMING ARTS, UNIVERSITY OF ILORIN, 2019)

• A FEMINIST CRITIQUE OF TOYIN ABIODUN’S THE MARRIAGE OF ARIKE 

  ALIYU, FOLUKE R. (DEPARTMENT OF FRENCH, UNIVERSITY OF CAPE COAST, GHANA AND DEPARTMENT OF FRENCH, UNIVERSITY OF ILORIN, 2018)

• DESTINY AS AESTHETICS IN BAKARE’S ROGBODIYAN AND THE GODS AND THE SEAVENGERS 

  ALIYU, FOLUKE R. (DEPARTMENT OF THEATRE AND MEDIA ARTS, FEDERAL UNIVERSITY, OYE-EKITI, 2014)

• IMAGES OF THE WOMAN IN OLU OBAFEMI’S ILLUMINATIONS: SONGS, DANCES, FROM THE BELLY OF TIME 

  ALIYU, FOLUKE R. (KWARA STATE UNIVERSITY AND BAYERO UNIVERSITY, 2012)

• INSERTING NATURE INTO SOCIAL VISION: SUNNIE ODODO’S BROKEN PITCHERS INVESTIGATED 

  ALIYU, FOLUKE R. (NATIONAL INSTITUTE FOR CULTURAL ORIENTATION, 2012)

• CULTURE AND AFRO-CENTRIC FEMINIST NOTIONS: A CRITICAL ANALYSIS OF STIWANISM, MOTHERISM, WOMANISM AND NEGO-FEMINISM 

  ALIYU, FOLUKE R. (LITERARY SOCIETY OF NIGERIA, UNIVERSITY OF BENIN, 2018)

• PROVERBS AND THE IMAGE OF THE WOMAN IN ABIMBOLA ADUNNI ADELAKUN’S UNDER THE BROWN RUSTED ROOFS 

  ALIYU, FOLUKE R. (DEPARTMENT OF ENGLISH AND DRAMA, KADUNA STATE UNIVERSITY, 2015)

• ALTERNATIVE SEXUALITIES IN OGOCHUKWU PROMISE’S IN THE MIDDLE OF THE NIGHT: NORM OR TRANSGRESSION 

  ALIYU, FOLUKE R. (LITERARY SOCIETY OF NIGERIA, UNIVERSITY OF BENIN, 2013)

• ALTERNATIVE SEXUALITIES IN OGOCHUKWU PROMISE’S IN THE MIDDLE OF THE NIGHT: NORM OR TRANSGRESSION 

  ALIYU, FOLUKE R. (LITERARY SOCIETY OF NIGERIA, UNIVERSITY OF BENIN, 2013)

• GENDER AND SOCIAL CONSCIOUSNESS IN MARIA AJIMA’S POEMS OF SANITY 

  ALIYU, FOLUKE R. (DEPARTMENT OF ENGLISH, GOMBE STATE UNIVERSITY, 2012)

• GENDER AND SOCIAL CONSCIOUSNESS IN MARIA AJIMA’S POEMS OF SANITY 

  ALIYU, FOLUKE R. (DEPARTMENT OF ENGLISH, GOMBE STATE UNIVERSITY, 2012)

• DECONSTRUCTING THE MYTH OF THE VOICELESSNESS OF THE AFRICAN WOMAN: JULIE OKOH'S EDEWEDE (THE DAWN OF A NEW DAY) 

  ALIYU, FOLUKE R. (DEPARTMENT OF LINGUISTICS AND NIGERIAN LAGUAGES, UNIVERSITY OF ILORIN, 2015)

• AESTHETICS OF SONG IN OLU OBAFEMI’S ILLUMNATIONS: SONGS, DANCES, FROM THE BELLY OF TIME 

  ALIYU, FOLUKE R. (LIBRARY AND PUBLICATIONS COMMITTEE, UNIVERSITY OF ILORIN, 2014)

• AN ECOCRITICAL ANALYSIS OF OGAGA IFODO’S THE OIL LAMP 

  ALIYU, FOLUKE R. (DEPARTMENT OF LANGUAGES, AL HIKMAH UNIVERSITY, 2014)

• CHANGING VALUES AND IDENTITY CRISIS: IMPLICATIONS FOR THE DEVELOPMENT OF YORUBA INDIGENOUS NAMES 

  ABOYEJI, Oyeniyi Solomon (A Journal Publication of the Faculty of Arts, Nasarawa State University, Keffi-Nigeria, 2020-03)

  The Yoruba are culturally minded people; hence, the act of naming a child is an inherited and indispensable culture in Yorubaland as children are the soul of Yoruba culture. This study examines the trends/changes in the ...

• SATIRE AND THE IMAGES OF BESTIAL LEADERSHIP IN OKPANACHI’S THE EATERS OF THE LIVING 

  ALIYU, FOLUKE R. (DEPARTMENT OF LANGUAGES, AL HIKMAH UNIVERSITY, 2012)

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