ILARI MOVIE: A RELIGIOUS METAPHOR FOR CONTEMPORARY NIGERIAN POLITICAL SPACE

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dc.contributor.authorOgunbiyi, Olatunde Oyewole
dc.date.accessioned2023-05-23T09:20:25Z
dc.date.available2023-05-23T09:20:25Z
dc.date.issued2022
dc.description.abstractThat the Nigerian movie industry often referred to as Nollywood is one of the world's most producing movie industries is no longer news. The fact that its prolific productions often address one religious theme or the other is interesting. Many of Nollywood movies come from Southwest, Nigeria, a region noted for her rich inventory of parabolic words to express present truths. From the repertoir of their innuendos they often bring out issues of relative importance for all and sundry in different literary format.en_US
dc.identifier.urihttps://uilspace.unilorin.edu.ng/handle/20.500.12484/10721
dc.language.isoenen_US
dc.publisherDepartment of French, Nasarawa State Universityen_US
dc.relation.ispartofseries4;2
dc.subjectNollywooden_US
dc.subjectIlarien_US
dc.subjectAnkotoen_US
dc.subjectPolitical spaceen_US
dc.subjectAggrandizementen_US
dc.titleILARI MOVIE: A RELIGIOUS METAPHOR FOR CONTEMPORARY NIGERIAN POLITICAL SPACEen_US
dc.typeArticleen_US

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