Mythology, Aesthetics and Social Vision in Wole Soyinka’s Idanre

dc.contributor.authorAfolayan, Kayode Niyi
dc.date.accessioned2021-06-17T09:16:54Z
dc.date.available2021-06-17T09:16:54Z
dc.date.issued2010-04
dc.descriptionNilen_US
dc.description.abstractWole Soyinka's production of Idanre and Other Poems (1967) for the Commonwealth Arts festival had diverse impacts on the evolving trend in modern African poetry. The poet offered an alternative to the 'narcissist' ideology of the negritude movement that subsisted and also demonstrated that folklore could be used as anchor for visionary ideals. At the centre of Soyinka's mimesis is the Ogun myth which has continued to feature in the works of the poet. This paper, apart from appreciating Wole Soyinka's aesthetic values, also looks at the fundamental statements made by Soyinka in his maiden poetry. The conclusion of the paper exposes the currency of issues addressed through the poet's tropes especially the urgent mediation needed in the space of leadership and followership.en_US
dc.description.sponsorshipPrivateen_US
dc.identifier.citationAfolayan, K.N. (2010). Mythology, Aesthetics and Social Vision in Wole Soyinka’s Idanre. The Performer: Ilorin Journal of The Performing Arts. 12; 187- 199, Published by The Department of The Performing Arts, University of Ilorin.en_US
dc.identifier.urihttps://uilspace.unilorin.edu.ng/handle/20.500.12484/6105
dc.publisherDepartment of The Performing Arts, University of Ilorinen_US
dc.subjectWole Soyinkaen_US
dc.subjectMythologyen_US
dc.subjectSocial Visionen_US
dc.titleMythology, Aesthetics and Social Vision in Wole Soyinka’s Idanreen_US
dc.typeArticleen_US

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