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Intertextuality in Ghanaian Hip Life Music

dc.contributor.authorAsiamah, Hernestina
dc.contributor.authorAlabi, Taofiq Adedayo
dc.date.accessioned2019-10-15T08:46:35Z
dc.date.available2019-10-15T08:46:35Z
dc.date.issued2018-07
dc.description.abstractThe life of the Ghanaian is veiled in a rich oral culture characterised by lullabies; folktale laced with songs; children game filled with songs; rites of passages marked by song and dance and dirges which are recited or sung. Music and dance form a key part the ghanaian tradition considering the primacy of the oral tradition. Every tribe and religion in Ghana has a corpus with which they celebrate mourn or demonish. If there is any form of oral literature Ghana has in abundance, it is her songs. With time, music has made headway from being mere performance to being the profession of some people whose services are employed at naming ceremonies or at funerals.en_US
dc.identifier.issn0795-2309
dc.identifier.urihttp://hdl.handle.net/123456789/2434
dc.language.isoenen_US
dc.publisherDepartment of English, University of Ilorinen_US
dc.relation.ispartofseries;4
dc.subjectHip lifeen_US
dc.subjectIntertextuality Cultureen_US
dc.subjectTraditionen_US
dc.subjectTransformationen_US
dc.titleIntertextuality in Ghanaian Hip Life Musicen_US
dc.typeArticleen_US

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