A GAZELLE OF THE SAVANNAH
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Date
2012
Authors
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Publisher
ALPHACROWNS PUBLISHERS
Abstract
RHYTHM IS AN ASPECT OF LIFE. EVERY MOVEMENT MADE BY MAN IS RHYTHMICAL. EVERY RHYTHM IS A MOTIVATOR. THIS CHAPTER EXPLORES VARIOUS RHYTHMIC PATTERN IN NIGERIAN SOCIETIES AND POSITS THAT JUST AS LIFE REVOLVES AROUND STEADY RHYTHMIC PATTERN, MAN SHOULD UTILIZE EVERY STEP MADE TO ACTUALIZE HIS GOALS. THIS CHAPTER CELEBRATE PROF. SUNDAY ENESSI ODOD (THE GAZELLE OF THE SAVANNAH) MUSICOLOGICALLY WITH FIFTY RHYTHMIC PATTERNS THAT TOOK HIM TO HIS GOLDEN AGE. HAVING ACHIEVE THAT MUCH IN LIFE AT FIFTY, WE USE FIFTY OF SUCH COMMONLY USED RHYTHMIC APPLAUSES TO CELEBRATE HIM IN THE CHAPTER. THE RHYTHMS, ARE NOTATED HEARING FOR MUSICOLOGIST AND OTHER SCHOLARS TO APPRECIATE THE MUSICOLOGICAL ESSENCE IN LITTLE THINGS WE TENDS NOT TO GIVE MUCH ATTENTION TO. THOUGH THE MATTER. EACH OF THE RHYTHMIC PATTERN IS GIVEN ADEQUATE EXPLANATORY NOTES ON WHEN THEY ARE USED.
Description
Keywords
RHYTHMIC APPLAUSES, MUSIC, NOTATION, ODODO, RHYTHMIC PATTERNS, MUSIC SIGNATURE, TIMING, NIGERIA
Citation
IKIBE, SOLOMON (2012),'AFRO-CULTURE-CENTRED MUSICOLOGICAL GOLDEN RHYTHMIC APPLAUSES FOR THE GAZELLE OF THE SAVANNAH AT A GOLDEN AGE' IN A GAZELLE OF THE SAVANNAH