Operatic Adaptation of Drama scripts: Femi osofisan's A restless run of locust at Unilorin 24th convocation play

dc.contributor.authorIkibe, Solomon
dc.contributor.authorOlalusi, Taiwo
dc.date.accessioned2019-05-17T12:32:50Z
dc.date.available2019-05-17T12:32:50Z
dc.date.issued2014
dc.description.abstractAbstract This paper examines the process of adapting a drama script! into an opera using an adapted work of a prominent playwright as focus with Hutcheon's theory of adaptation as our reference point. This paper uses the adapted work to analyze and judge the success of adaptation and also points out its short comings. In view of this, the paper pervades the process of conducting interviews, participatory observation method with the consultation of relevant books.journals, articles, thesis etc. We observed that the adaptation of the drama script was not totally based on the theories of adaptation which scholars such as Kneupper (J972), Zawidski (2000), Elvira (2003), Hutcheon (2006) and others have researched and developed and that previous adaptations by adapters have sacrificed some inherent dramatic moments for the music itself The paper concludes and makes recommendations in order to correct some existing challenges jar the betterment of the adaptation of drama scripts into operas in theatre schools and theatrical performances.en_US
dc.identifier.urihttp://hdl.handle.net/123456789/1946
dc.language.isoenen_US
dc.publisherTheatre and media studies department, Nnamdi Azikwe university, awka, Nigeriaen_US
dc.subjectAdaptationen_US
dc.subjectComposeren_US
dc.subjectOperaticen_US
dc.subjectDramaen_US
dc.titleOperatic Adaptation of Drama scripts: Femi osofisan's A restless run of locust at Unilorin 24th convocation playen_US
dc.typeArticleen_US

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