Arab History and Tewfik Al-Hakim’s Theatre: Accounting for paucity of Dramaturgy

dc.contributor.authorAbdullahi, Kadir Ayinde
dc.date.accessioned2018-04-03T09:14:12Z
dc.date.available2018-04-03T09:14:12Z
dc.date.issued2012
dc.description.abstractThis paper examines the historical and cultural configuration that shaped the theatrical sensibilities and ultimately the performance pattern on which Tewfik Al-Hakim’s Arabic theatre is predicated. An exposition of how drama fits within the context of cultural Islamization requires an account of the historical matrix which shows the synthesis of Islam and indigenous culture as well as the hybridity brought to the convergence by the harsh realities of colonization. In order to grasp the basis of the dramaturgy in Al-Hakim’s theater, a limited survey of his selected text is necessary.en_US
dc.identifier.urihttp://hdl.handle.net/123456789/205
dc.language.isoenen_US
dc.publisherDepartment of Languages, Kwara State Universityen_US
dc.subjectArab History,en_US
dc.subjectTewfik Al-Hakim,en_US
dc.subjectDramaturgyen_US
dc.titleArab History and Tewfik Al-Hakim’s Theatre: Accounting for paucity of Dramaturgyen_US
dc.typeArticleen_US

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