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African Poetry and The Masquerade Tradition: A Study of Ezenwa-Ohaeto`s The Voice of The Night Masquerade

dc.contributor.authorBinta, Ibrahim
dc.date.accessioned2019-10-15T09:42:31Z
dc.date.available2019-10-15T09:42:31Z
dc.date.issued2010
dc.descriptionText and Theories in Transition Charles Bodunde (ed.)en_US
dc.description.abstractLiterary production in black Africa have shown that the oral traditions can be use imaginatively to produce text which have great aesthetic appeals even when translated into the medium of the English language. masquerade in Nigeria are of different types and they varies in performance. among the Nigeria masquerade we have Egugun Eyo, Gelede, Epa, Agbekijo, Ijele, Umuye, Ndakogboya, e.t.c The image of Nights masquerade by Ezenwa Ohaeto`s is therefore and environmental image of what the masquerade functions as within the community. The sound of the voice is the voice of the ancestors of the people which must be obeyed. Hence, aside the representation of the ancestors by the masquerade with music and dance as suggested by Ruth Finnegan 1968 ``This research examines the poetry of Ezenwa Ohaeto inline with the tradition of the people for whom the masqueraders lines are written. And this is part of the findings of this research.en_US
dc.identifier.isbn978-3-939661-04-7
dc.identifier.urihttps://tifybu.ga/vofu.pdf
dc.identifier.urihttp://hdl.handle.net/123456789/2474
dc.language.isoenen_US
dc.publisherUniversity of Bayreuth: African Studies Series. Germany.en_US
dc.subjectAncestoren_US
dc.subjectMasqueradeen_US
dc.subjectTraditonen_US
dc.subjectOralen_US
dc.subjectAestheticen_US
dc.subjectPerformanceen_US
dc.subjectAfricaen_US
dc.subjectHeroicen_US
dc.subjectPoetryen_US
dc.subjectArtifactsen_US
dc.titleAfrican Poetry and The Masquerade Tradition: A Study of Ezenwa-Ohaeto`s The Voice of The Night Masqueradeen_US
dc.typeBook chapteren_US

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